quotations about writing
Get an agent. Seriously, submitting stuff unagented means it will end up on the slush pile. An agent is the first quality filter, and a good agent is worth his or her weight in gold, as they'll often know the editors on a personal level and will be able to talk to them directly about the project.
TIM LEBBON
interview, The Horror Zine
There's no magic bullet for being a decent writer, or making people bond with your characters or fall in love with your story. Writing is a million different skills and challenges, and each story is different. But the more I struggle to make this work, the more I think there's one key thing that makes writing more excellent: Finding your own blind spots as an author, and trying to see into them.
CHARLIE JANE ANDERS
"The Single Most Important Thing You Can Do To Make Your Writing More Awesome", Gizmodo, February 25, 2016
As the deadline looms, my quality of writing is in danger of declining all because I just had to check my email.
GERI SPIELER
"The Dangers of Distracted Writing", Huffington Post, February 28, 2016
Few sensible authors are happy discussing the creative process -- it is, after all, black magic, and may lose its power if we look that particular gift horse too closely in the mouth.
EDWARD ALBEE
introduction, Three Tall Women
I've heard writers talk about "discovering a voice," but for me that wasn't a problem. There were so many voices that I didn't know where to start.
SAM SHEPARD
The Paris Review
I truly believe that writing is a continuum--so the different genres and forms are simply stops along the same continuum. Different ideas that need to be expressed sometimes require different forms for the ideas to float better.
CHRIS ABANI
interview, UTNE Reader, June 2010
Writing is always a rough translation from wordlessness into words.
CHARLES SIMIC
attributed, Stealing Glimpses: Of Poetry, Poets, and Things in Between
I have no pleasure in writing myself--none, in the mere act--though all pleasure in the sense of fulfilling a duty, whence, if I have done my real best, judge how heart-breaking a matter must it be to be pronounced a poor creature by critic this and acquaintance the other.
ROBERT BROWNING
letter to Elizabeth Barrett, March 12, 1845
As a writer -- it must be the same for actors -- you're used to dealing with the idea of death and all the big questions. Unless you're writing purely for five-year-olds, about bunnies, you're going to have to think about death. Your characters will die and people will live on afterwards who cared about them. You need to be able to empathise with them. Of course, we all go through it; we all have people close to us die. But as a writer you really have to think it through properly, or it'll all ring false. It's almost one of the perks of the trade that you're forced to think about that stuff fairly deeply. So maybe when it comes along in real life, you're slightly better prepared to deal with it.
IAIN M. BANKS
"Iain Banks: The Final Interview", The Guardian, June 14, 2013
Why write it? I thought it would earn me money.
ROBERT REED
interview, Fantasy & Science Fiction, December 18, 2012
Rejection has value. It teaches us when our work or our skillset is not good enough and must be made better. This is a powerful revelation, like the burning UFO wheel seen by the prophet Ezekiel, or like the McRib sandwich shaped like the Virgin Mary seen by the prophet Steve Jenkins. Rejection refines us. Those who fall prey to its enervating soul-sucking tentacles are doomed. Those who persist past it are survivors. Best ask yourself the question: what kind of writer are you? The kind who survives? Or the kind who gets asphyxiated by the tentacles of woe?
CHUCK WENDIG
"25 Things Writers Should Know About Rejection", Terrible Minds
The humorous story is told gravely; the teller does his best to conceal the fact that he even dimly suspects that there is anything funny about it.
MARK TWAIN
"How to Tell a Story"
You want to be a writer? Good for you. So does that guy. And that girl. And him. And her. And that old dude. And that young broad. And your neighbor. And your mailman. And that Chihuahua. And that copy machine. Ahead of you is an ocean of wannabe ink slaves and word earners. I don't say this to daunt you. Or to be dismissive. But you have to differentiate yourself, and the way you do that is by doing rather than pretending.
CHUCK WENDIG
The Kick-Ass Writer
I spend a lot of time loathing the sentences that I put down on the page. Once I'm past that phase, it doesn't really matter what the routine is (coffee shop, someone else's house, my dining room table), I'm pretty fast. I go back to the start of whatever I'm working on, every half hour or so, and revise my way back to where I left off. I have my headphones on, I'm checking email, I look at Twitter and Tumblr, and drink a lot of coffee. I need a lot of distraction to work.
KELLY LINK
interview, Electric Lit, February 6, 2015
Writing in the first person can be claustrophobic--everything that happens in the book is notionally filtered through the narrator, and one can long for the fresh air of another perspective. One can luxuriate in the peculiar world of a character, but there are limitations. Ironizing that person's experience is difficult. You need perhaps a candid old friend of the narrator who can tell a few truths the narrator prefers to ignore.
ALAN HOLLINGHURST
The Paris Review, winter 2011
In writing, as in speaking, less is more. When you are editing -- which should be immediately after you finish the writing for one session and again at least a day or more after you finished it -- look over the piece with a critical eye and cut, cut, cut.
ALI MADEEH HASHMI
"The art of writing", The News on Sunday, March 11, 2017
I'm never lonely when I'm writing, because you live with the characters that are so alive in your mind. And you really see them and know them and get to be friends with them.
JULIE ANDREWS
interview, American Libraries Magazine
A serious writer is not to be confused with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
ERNEST HEMINGWAY
Death in the Afternoon
The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.
RAY BRADBURY
Fahrenheit 451
Writing is not necessarily something to be ashamed of--but do it in private and wash your hands afterwards.
ROBERT A. HEINLEIN
The Notebooks of Lazarus Long