quotations about writing
Writing is nothing more than a guided dream.
JORGE LUIS BORGES
preface, Dr. Brodie's Report
The chief advantage that ancient writers can boast over modern ones, seems owing to simplicity. Every noble truth and sentiment was expressed by the former in the natural manner; in word and phrase, simple, perspicuous, and incapable of improvement. What then remained for later writers but affectation, witticism, and conceit?
WILLIAM SHENSTONE
Essays on Men and Manners
You get a lot of narrative energy from people who make really big mistakes, who act against their best interests, who do things that turn out to have serious consequences. It's very hard make a story out of people doing the right thing over and over again.
KELLY LINK
"A Vampire is a Flexible Metaphor: An Interview with Kelly Link", Gigantic Magazine, October 23, 2013
Belief in one's identity as a poet or writer prior to the acid test of publication is as naïve and harmless as the youthful belief in one's immortality ... and the inevitable disillusionment is just as painful.
DAN SIMMONS
Hyperion
Theatre and publishing worship either precocious young writers or mute dead ones.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
He who only writes to suit the taste of the age, considers himself more than his writings. We should always aim at perfection, and then posterity will do us that justice which sometimes our contemporaries refuse us.
JEAN DE LA BRUYÈRE
"Of Works of the Mind", Les Caractères
Madness is terrific I can assure you, and not to be sniffed at; and in its lava I still find most of the things I write about. It shoots out of one everything shaped, final, not in mere driblets, as sanity does.
VIRGINIA WOOLF
Letters
When I taught, a lot of my students weren't big readers, so they would write something and I realized that they thought it belonged in a book. Like, they didn't know what the inside of a book looked like, you know what I mean?
DAVID SEDARIS
Oasis Magazine, June 2008
It's not the word made flesh we want in writing, in poetry and fiction, but the flesh made word.
WILLIAM H. GASS
On Being Blue
I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.
JEFF ABBOTT
Publisher's Weekly, May 30, 2011
Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.
GAIL CARSON LEVINE
interview, RIF Reading Planet
Writing the first chapter can feel like you're trying to artificially inseminate a stampeding mastodon with one hand duct taped to your leg. That's okay. That's normal. Do it and get through it.
CHUCK WENDIG
"25 Things to Know about Writing the First Chapter of Your Novel", Terrible Minds
Writing is a solitary pursuit and I think you have to be partially at peace with yourself, but it's the other part that's usually producing the stuff worth reading.
CRAIG JOHNSON
"A Conversation with Craig Johnson", The Cold Dish
What I cannot thus eliminate, what I must, head down, eyes shut, with the courage of a battalion and the blindness of a bull, charge and disperse are, indubitably, the figures behind the ferns, commercial travellers. There I've hidden them all this time in the hope that somehow they'd disappear, or better still emerge, as indeed they must, if the story's to go on gathering richness and rotundity, destiny and tragedy, as stories should, rolling along with it two, if not three, commercial travellers and a whole grove of aspidistra.
VIRGINIA WOOLF
"An Unfinished Novel", The Complete Shorter Fiction of Virginia Woolf
You will always have days when you feel like an amateur. When it feels like everybody else is better than you. You will have this nagging suspicion that someone will eventually find you out, call you on your bullshit, realize you're the literary equivalent of a vagrant painting on the side of a wall with a piece of calcified poop. You will have days when the blank page is like being lost in a blizzard. You will sometimes hate what you wrote today, yesterday, or ten years ago. Bad days are part of the package. You just have to shut them out, swaddle your head in tinfoil, and keep writing anyway.
CHUCK WENDIG
The Kick-Ass Writer
Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.
MARTIN AMIS
The Paris Review, spring 1998
It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
I write a sentence a thousand times, changing it all the time to look at it in different ways.
FRAN LEBOWITZ
The Paris Review, summer 1993
You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.
HAROLD PINTER
The Progressive, March 2001
Why do you keep reading a book? Usually to find out what happens. Why do you give up and stop reading it? There may be lots of reasons. But often the answer is you don't care what happens. So what makes the difference between caring and not caring? The author's cruelty. And the reader's sympathy ... it takes a mean author to write a good story.
GAIL CARSON LEVINE
Writing Magic