WRITING QUOTES XXVII

quotations about writing

When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.

TENNESSEE WILLIAMS

The Paris Review, fall 1981


I've increasingly been interested in leaving gaps and unresolved elements within a novel, trying to escape from the model of the novel as something in which there is a secret that, when revealed, will make all clear. It seems to me too unlike life, too convenient, too fictional.

ALAN HOLLINGHURST

The Paris Review, winter 2011


I don't believe in the notion that some characters have lives of their own and the author follows after them. The author has to be careful not to force the character to do something that would go against the logic of that character's personality, but the character does not have independence. The character is trapped in the author's hand, in my hand, but he is trapped in a way he does not know he is trapped. The characters are on strings, but the strings are loose; the characters enjoy the illusion of freedom, of independence, but they cannot go where I do not want them to go. When that happens, the author must pull on the string and say to them, I am in charge here.

JOSÉ SARAMAGO

The Paris Review, winter 1998

Tags: José Saramago


[Rejection] made me quit writing once. For six months. I started up again when my then seven-year-old son asked me to start writing again because I was too grumpy when I wasn't writing.

KIRBY LARSON

interview, Author Turf, March 6, 2014


All good writing leaves something unexpressed.

CHRISTIAN NESTELL BOVEE

Intuitions and Summaries of Thought

Tags: Christian Nestell Bovee


Madness is terrific I can assure you, and not to be sniffed at; and in its lava I still find most of the things I write about. It shoots out of one everything shaped, final, not in mere driblets, as sanity does.

VIRGINIA WOOLF

Letters

Tags: Virginia Woolf


In the end, the writer is not even allowed to live in his writing.

THEODOR W. ADORNO

Minima Moralia

Tags: Theodor W. Adorno


I tend to be a plotter, just because I do have to write an outline of the book for my publisher, and I like to have an idea of where I'm headed. That said, I don't treat the outline as cast in stone, and I often get better ideas as I write, so the outline is a living thing. What often drives change is when I start writing a particular character and she or he asserts themselves more strongly than I thought they would.

JEFF ABBOTT

"At the Mercy of Storytellers: MysteryPeople Q&A with Jeff Abbott", Mystery People, July 17, 2017

Tags: Jeff Abbott


The most essential gift for a good writer is a built-in, shock-proof, shit detector. This is the writer's radar and all great writers have had it.

ERNEST HEMINGWAY

Paris Review, spring 1958


The pen is mightier than the sword.

EDWARD BULWER LYTTON

Richelieu

Tags: Edward Bulwer Lytton


Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.

GAIL CARSON LEVINE

interview, RIF Reading Planet

Tags: Gail Carson Levine


Write. Don't talk about writing. Don't tell me about your wonderful story ideas. Don't give me a bunch of "somedays." Plant your ass and scribble, type, keyboard. If you have any talent at all, it will leak out despite your failure to pay attention in English.

GLEN COOK

interview, SF Site, September 2005


Writing a killer first line to a novel is an art form in which there are a few masters and a great many apprentices.

CHUCK WENDIG

"25 Things to Know about Writing the First Chapter of Your Novel", Terrible Minds


There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word--tension--has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end--is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?

JOHN JEREMIAH SULLIVAN

"Everything is more complicated than you think", The Economist, November 14, 2011

Tags: John Jeremiah Sullivan


I realized that I wanted to be a writer. But I wasn't sure I would be until I was fifteen or so. At that time I had immodestly started sending stories to magazines and literary quarterlies. Of course no writer ever forgets his first acceptance; but one fine day when I was seventeen, I had my first, second, and third, all in the same morning's mail. Oh, I'm here to tell you, dizzy with excitement is no mere phrase!

TRUMAN CAPOTE

The Paris Review, spring-summer 1957


No reason at all why one should go on writing just for the sake of it. I think it is very important to stop when you haven't got anything to say.

JULIAN BARNES

The Paris Review, winter 2000


I've got splinters in my nose from the best publishing doors in town.

RITA MAE BROWN

interview, Time, March 18, 2008

Tags: Rita Mae Brown


If I cannot be myself in what I write, then the whole is nothing but lies and humbug.

HENRIK IBSEN

letter to Björnstjerne Björnson, September 12, 1865


Writers are greatly respected. The intelligent public is wonderfully patient with them, continues to read them, and endures disappointment after disappointment, waiting to hear from art what it does not hear from theology, philosophy, social theory, and what it cannot hear from pure science. Out of the struggle at the center has come an immense, painful longing for a broader, more flexible, fuller, more coherent, more comprehensive account of what we human beings are, who we are and what this life is for.

SAUL BELLOW

Nobel lecture, December 12, 1976

Tags: Saul Bellow


The true alchemists do not change lead into gold; they change the world into words.

WILLIAM H. GASS

A Temple of Texts

Tags: William H. Gass