WRITING QUOTES XXIX

quotations about writing

The old, slow, creaking descriptions are a thing of the past; today the rule is brevity -- but every word must be supercharged, high-voltage.

YEVGENY ZAMYATIN

A Soviet Heretic

Tags: Yevgeny Zamyatin


The right story needs the right telling.

JOHN GREEN

interview, Chicago Public Library


The trouble with writing fiction is that it has to make sense, whereas real life doesn't. It's incredibly annoying for us scribblers.

IAIN M. BANKS

"Iain Banks: The Final Interview", The Guardian, June 14, 2013

Tags: Iain M. Banks


The true alchemists do not change lead into gold; they change the world into words.

WILLIAM H. GASS

A Temple of Texts

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There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word--tension--has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end--is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?

JOHN JEREMIAH SULLIVAN

"Everything is more complicated than you think", The Economist, November 14, 2011

Tags: John Jeremiah Sullivan


When I first started I was obsessed--putting in 16 hours a day, seven days a week, and loving it. My in-laws told my husband that perhaps he should get some help for me. Once the book was published it was OK because writers can be a little crazy.

JEAN M. AUEL

interview, goodreads, April 2011

Tags: Jean M. Auel


When I taught, a lot of my students weren't big readers, so they would write something and I realized that they thought it belonged in a book. Like, they didn't know what the inside of a book looked like, you know what I mean?

DAVID SEDARIS

Oasis Magazine, June 2008

Tags: David Sedaris


Writers, especially when they act in a body and with one direction, have great influence on the public mind.

EDMUND BURKE

Reflections on the Revolution in France

Tags: Edmund Burke


You get a lot of narrative energy from people who make really big mistakes, who act against their best interests, who do things that turn out to have serious consequences. It's very hard make a story out of people doing the right thing over and over again.

KELLY LINK

"A Vampire is a Flexible Metaphor: An Interview with Kelly Link", Gigantic Magazine, October 23, 2013

Tags: Kelly Link


You never know what you will learn till you start writing. Then you discover truths you never knew existed.

ANITA BROOKNER

attributed, Journal for You, 2003


[Rejection] made me quit writing once. For six months. I started up again when my then seven-year-old son asked me to start writing again because I was too grumpy when I wasn't writing.

KIRBY LARSON

interview, Author Turf, March 6, 2014


Be a mere assistant to your unconscious. Do only half the work. The rest will do itself.

JEAN COCTEAU

Diary of an Unknown

Tags: Jean Cocteau


Even though language has its richness the relationship between language and the writer is always like a stone and you have to make the stone human.

CARMEN BOULLOSA

Journal of Latin American Cultural Studies, Vol. 4, No. 2, 1995

Tags: Carmen Boullosa


Fiction is like a spider's web, attached ever so lightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible; Shakespeare's plays, for instance, seem to hang there complete by themselves. But when the web is pulled askew, hooked up at the edge, torn in the middle, one remembers that these webs are not spun in midair by incorporeal creatures, but are the work of suffering human beings, and are attached to the grossly material things, like health and money and the houses we live in.

VIRGINIA WOOLF

A Room of One's Own

Tags: Virginia Woolf


I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.

LOUIS AUCHINCLOSS

interview, Bomb Magazine, fall 1997

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I don't think I'm cut out for a job where you have to look professionally tidy. I prefer working in my pajamas and taking showers after lunch.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

Tags: Kelly Link


I invariably have the illusion that the whole play of a story, its start and middle and finish, occur in my mind simultaneously--that I'm seeing it in one flash. But in the working-out, the writing-out, infinite surprises happen. Thank God, because the surprise, the twist, the phrase that comes at the right moment out of nowhere, is the unexpected dividend, that joyful little push that keeps a writer going.

TRUMAN CAPOTE

The Paris Review, spring-summer 1957


I think writing for me has always been a matter of fear. Writing is fear and not writing is fear. I am afraid of writing and then I'm afraid of not writing.

FRAN LEBOWITZ

"In Conversation: Fran Lebowitz with Phong Bui", The Brooklyn Rail, March 4, 2014

Tags: Fran Lebowitz


I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and turn it around again.

PHILIP ROTH

Ghost Writer

Tags: Philip Roth


If people did not want their stories told, it would be better for them to keep away from me.

SHERWOOD ANDERSON

A Story Teller's Story

Tags: Sherwood Anderson