WRITING QUOTES XVIII

quotations about writing

I didn't want to be ignored. I didn't want my books to be ignored. But I didn't really care to cut such a figure either because ... well, it interferes with the business of writing.

SAUL BELLOW

Q & A at Howard Community College, February 1986


Having your book turned into a movie is like seeing your oxen turned into bouillon cubes.

JOHN LE CARRÉ

attributed, Bad TV: The Very Best of the Very Worst

Tags: John le Carré


Everywhere I go I'm asked if I think the university stifles writers. My opinion is that they don't stifle enough of them. There's many a best-seller that could have been prevented by a good teacher.

FLANNERY O'CONNOR

attributed, The Book of Poisonous Quotes

Tags: Flannery O'Connor


Writing is creative, which is right brain activity. Editing is rational, logical and process/rule driven, which is left-brain activity. It seems that, if you switch consistently between the two, the creative process becomes derailed by all the rules and forms. You scare it back into the shadows.

DAVID CHISLETT

"Editing Is Not Writing", Books LIVE, February 12, 2016


When I hear about some sensational new writer I sort of think, Shut up ... you've got to be around for a long time before you can really say you're a writer. You've got to stand the test of time, which is the only real test there is.

MARTIN AMIS

"The Past Gets Bigger and the Future Shrinks", Los Angeles Review of Books, July 21, 2013

Tags: Martin Amis


There is only one way to make money at writing, and that is to marry a publisher's daughter.

GEORGE ORWELL

Down and Out in Paris and London

Tags: George Orwell


There is a realm of possible knowledge which can be reached by artists, which is not susceptible of mathematical verification but which is true. This is sometimes spoken as the ineffable. If there is any word I detest in the language, this would be it, but the fact that it exists, the word ineffable, is suspicious in that it suggests that there might be something that is ineffable. And I believe that that's the place artists are trying to get to, and I further believe that when they are successful, they reach it.

DONALD BARTHELME

"A Symposium of Fiction"


The writer must be universal in sympathy and an outcast by nature: only then can he see clearly.

JULIAN BARNES

Flaubert's Parrot

Tags: Julian Barnes


That's also part of having great editors -- they can sort of be honest with you and say, "I see where you're headed with this, but I don't think it's there yet. Dig deeper, babe, and come back with something more." And that's what you do, you dig waaaaaaaay down and you walk around the block eight million times and then you have it -- shazam! And it all comes together in something soooo much better than you thought you were capable of.

VICTORIA LAURIE

interview, Author's Den

Tags: Victoria Laurie


Some people talk to themselves, and some people write, and somehow society has decided that one gets committed and one gets a paycheck.

BOB LONSBERRY

official website

Tags: Bob Lonsberry


Nothing bad can happen to a writer. Everything is material.

PHILIP ROTH

attributed, Literary Agents: How to Get & Work With the Right One For You


It is usual that the moment you write for publication--I mean one of course--one stiffens in exactly the same way one does when one is being photographed. The simplest way to overcome this is to write it to someone, like me. Write it as a letter aimed at one person. This removes the vague terror of addressing the large and faceless audience and it also, you will find, will give a sense of freedom and a lack of self-consciousness.

JOHN STEINBECK

The Paris Review, fall 1975


It didn't occur to me that my books would be widely read at all, and that enabled me to write anything I wanted to. And even once I realized that they were being read, I still wrote as if I were writing in secret. That's how one has to write anyway--in secret.

LOUISE ERDRICH

The Paris Review, winter 2010


In the very act of writing I felt pleased with what I did. There was the pleasure of having words come to me, and the pleasure of ordering them, re-ordering them, weighing one against another. Pleasure also in the imagination of the story, the feeling that it could mean something. Mostly I was glad to find out that I could write at all. In writing you work toward a result you won't see for years, and can't be sure you'll ever see. It takes stamina and self-mastery and faith. It demands those things of you, then gives them back with a little extra, a surprise to keep you coming. It toughens you and clears your head. I could feel it happening. I was saving my life with every word I wrote, and I knew it.

TOBIAS WOLFF

In Pharaoh's Army


If I cannot be myself in what I write, then the whole is nothing but lies and humbug.

HENRIK IBSEN

letter to Björnstjerne Björnson, September 12, 1865


If a high quality of writing is to occur, it is reasonable to acknowledge that an open mind and a critical ear are essential tools that are used during all phases of revision.

GARRETT SAYERS

"Reading Aloud Is Essential to Quality Writing", Liberty Voice, January 31, 2016


I write from a thorough conviction that it is the duty of me, and with the belief that, after every drawback and shortcoming, I do my best, all things considered--that is for me, and, so being, the not being listened to by one human creature would, I hope, in nowise affect me.

ROBERT BROWNING

letter to Elizabeth Barrett, February 11, 1845

Tags: Robert Browning


I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.

MARTIN AMIS

The Paris Review, spring 1998


I think it is essential to promote your work, since there are over 100,000 books published each year, and readers can fall in love with books they've never heard about.

DOUGLAS CARLTON ABRAMS

interview, The Writer's Life

Tags: Douglas Carlton Abrams


I never quite know when I'm not writing. Sometimes my wife comes up to me at a party and says, "Dammit, Thurber, stop writing." She usually catches me in the middle of a paragraph. Or my daughter will look up from the dinner table and ask, "Is he sick?" "No," my wife says, "he's writing something." I have to do it that way on account of my eyes. I still write occasionally--in the proper sense of the word--using black crayon on yellow paper and getting perhaps twenty words to the page. My usual method, though, is to spend the mornings turning over the text in my mind. Then in the afternoon, between two and five, I call in a secretary and dictate to her. I can do about two thousand words. It took me about ten years to learn.

JAMES THURBER

The Paris Review, fall 1955