WRITING QUOTES XV

quotations about writing


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Writer's block is only a failure of the ego.

NORMAN MAILER
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attributed, A Writer's Time


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Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.

KURT VONNEGUT

A Man Without a Country


I invariably have the illusion that the whole play of a story, its start and middle and finish, occur in my mind simultaneously--that I'm seeing it in one flash. But in the working-out, the writing-out, infinite surprises happen. Thank God, because the surprise, the twist, the phrase that comes at the right moment out of nowhere, is the unexpected dividend, that joyful little push that keeps a writer going.

TRUMAN CAPOTE

The Paris Review, spring-summer 1957


In a very real way, one writes a story to find out what happens in it. Before it is written it sits in the mind like a piece of overheard gossip or a bit of intriguing tattle. The story process is like taking up such a piece of gossip, hunting down the people actually involved, questioning them, finding out what really occurred, and visiting pertinent locations. As with gossip, you can't be too surprised if important things turn up that were left out of the first-heard version entirely; or if points initially made much of turn out to have been distorted, or simply not to have happened at all.

SAMUEL R. DELANY

The Jewel-Hinged Jaw


I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me -- the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.

ANAÏS NIN

diary, February 1954

Tags: Anaïs Nin


We writers don't really think about whether what we write is good or not. It's too much to worry about. We just put the words down, trying to get them right, operating by some inner sense of pitch and proportion, and from time to time, we stick the stuff in an envelope and ship it to an editor.

GARRISON KEILLOR

"Who Has Time to Be a Writer?", Salon, August 11, 1998

Tags: Garrison Keillor


The less attention I pay to what people want and the more attention I pay to just writing the book I want to write, the better I do.

LAWRENCE BLOCK

Newsweek, July 13, 2009

Tags: Lawrence Block


All stories must end so, with the next tale winking out of the corners of the last pages, promising more, promising moonlight and dancing and revels, if only you will come back when spring comes again.

CATHERYNNE M. VALENTE

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making


How hard is the destiny of a maker of books! He has to cut and sew up in order to make ideas follow logically. But when one writes a book on reverie, has the time not come to let the pen run, to let reverie speak, and better yet to dream the reverie at the same time one believes he is transcribing it?

GASTON BACHELARD

The Poetics of Reverie: Childhood, Language, and the Cosmos

Tags: Gaston Bachelard


If a high quality of writing is to occur, it is reasonable to acknowledge that an open mind and a critical ear are essential tools that are used during all phases of revision.

GARRETT SAYERS

"Reading Aloud Is Essential to Quality Writing", Liberty Voice, January 31, 2016


I gotta pound the keys for the ideas to flow.

KIRBY LARSON

interview, Author Turf, March 6, 2014

Tags: Kirby Larson


When I'm writing I find it's the only time that I feel completely self-possessed, even when the writing itself is not going too well. It's fine therapy for people who are perpetually scared of nameless threats as I am most of the time.

WILLIAM STYRON

The Paris Review, spring 1954


To finish is sadness to a writer--a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done.

JOHN STEINBECK

The Paris Review, fall 1975


Only the hunger for something beyond the personal will allow a writer to break free of one major obstacle to originality -- the fear of self-revelation.

JANE HIRSHFIELD

Nine Gates: Entering the Mind of Poetry

Tags: Jane Hirshfield


Fiction -- at least for me -- requires long, relatively uninterrupted time stretches in which to bring it to fruition. I've never been a two-hour-in-the-morning writer, who could put in another six hours on Sunday afternoon. For me, a novel requires weeks of living in a largely mental and wholly internal landscape. Everything else has to be relegated to the odd hour here, the bit of time there. Sadly, however, uninterrupted time blocks are not what life doles out today to any of us with regularity.

SAMUEL R. DELANY

interview, SF Site, April 2001


For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appall, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.

TANITH LEE

interview, Innsmouth Free Press, November 17, 2009


When I write I don't aim to shock people, and I'm surprised when I do. But I don't think that anything that occurs in life should be omitted from art, though the artist should present it in a fashion that is artistic and not ugly. I set out to tell the truth. And sometimes the truth is shocking.

TENNESSEE WILLIAMS

The Paris Review, fall 1981


I can't avoid writing. It's a sort of nervous tic I have developed since I gave up needlepoint.

CLARE BOOTHE LUCE

"Fast and Luce", Vanity Fair, March 1988

Tags: Clare Boothe Luce


The final lesson a writer learns is that everything can nourish the writer. The dictionary, a new word, a voyage, an encounter, a talk on the street, a book, a phrase learned.

ANAÏS NIN

attributed, French Writers of the Past


Writers cannot let themselves be servants of the official mythology. They have to, whatever the cost, say what truth they have to say.

TOBIAS WOLFF

Continuum, summer 1998

Tags: Tobias Wolff