quotations about writing
Many great writers address audiences who do not exist; to address passionately and sometimes with very great wisdom people who do not exist has this advantage--that there will always be a group of people who, seeing a man shouting apparently at somebody or other, and seeing nobody else in sight, will think it is they who are being addressed.
WYNDHAM LEWIS
The Art of Being Ruled
As we understand it, the surest way to make a living by the pen is to raise pigs.
ROBERT ELLIOTT GONZALES
Poems and Paragraphs
In the very act of writing I felt pleased with what I did. There was the pleasure of having words come to me, and the pleasure of ordering them, re-ordering them, weighing one against another. Pleasure also in the imagination of the story, the feeling that it could mean something. Mostly I was glad to find out that I could write at all. In writing you work toward a result you won't see for years, and can't be sure you'll ever see. It takes stamina and self-mastery and faith. It demands those things of you, then gives them back with a little extra, a surprise to keep you coming. It toughens you and clears your head. I could feel it happening. I was saving my life with every word I wrote, and I knew it.
TOBIAS WOLFF
In Pharaoh's Army
If you over-plot your book you strangle your characters. Your characters have to have enough freedom and life to be able to surprise you.
ALAN LIGHTMAN
interview, Identity Theory, November 16, 2000
If I write novels in a country in which most citizens are illiterate, who then is my community?
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
The writer must be universal in sympathy and an outcast by nature: only then can he see clearly.
JULIAN BARNES
Flaubert's Parrot
Well it's been hard for me to not write, and that's the only process I can speak to I guess, it's so compulsive and I need to do it all the time that sometimes I make myself not do it so I can actually tend to my life. And my life has been in shambles, like my personal relationships, my laundry, paying bills--now I have someone who pays my bills--and it's always been a challenge because it overwhelms me. And just once I start I can go for hours and hours and hours, and sometimes I forget to eat, and the only thing I really break for is to play basketball and to walk around outside and just get some fresh air. A lot of times, days melt away; and when I'm in that zone, I love that it's like going down a rabbit hole that I enjoy.
ADAM RAPP
interview, Broadway Bullet, March 26, 2007
The life of a writer is absolute hell ... if he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not.
ROALD DAHL
Boy
Writing is creative, which is right brain activity. Editing is rational, logical and process/rule driven, which is left-brain activity. It seems that, if you switch consistently between the two, the creative process becomes derailed by all the rules and forms. You scare it back into the shadows.
DAVID CHISLETT
"Editing Is Not Writing", Books LIVE, February 12, 2016
I have friends, some of whom are spectacularly good writers, who really want someone to edit them. I don't register that impulse. It's like the impulse for wanting a dog.
FRAN LEBOWITZ
interview, A. V. Club, June 17, 2011
I never quite know when I'm not writing. Sometimes my wife comes up to me at a party and says, "Dammit, Thurber, stop writing." She usually catches me in the middle of a paragraph. Or my daughter will look up from the dinner table and ask, "Is he sick?" "No," my wife says, "he's writing something." I have to do it that way on account of my eyes. I still write occasionally--in the proper sense of the word--using black crayon on yellow paper and getting perhaps twenty words to the page. My usual method, though, is to spend the mornings turning over the text in my mind. Then in the afternoon, between two and five, I call in a secretary and dictate to her. I can do about two thousand words. It took me about ten years to learn.
JAMES THURBER
The Paris Review, fall 1955
I don't begin a novel with a shopping list--the novel becomes my shopping list as I write it. It's like that joke about the violin maker who was asked how he made a violin and answered that he started with a piece of wood and removed everything that wasn't a violin. That's what I do when I'm writing a novel, except somehow I'm simultaneously generating the wood as I'm carving it.
WILLIAM GIBSON
The Paris Review, summer 2011
I write because I hate. A lot. Hard.
WILLIAM H. GASS
The Paris Review, summer 1977
Without a pen in my hand I can't think.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
Well, there are certain stock words that I have found myself using a great deal. When I become aware of them, it is an alarm signal meaning I am falling back on something that has served in the past--it is a sign of not thinking at the present moment, not that there is anything intrinsically bad about certain words or phrases.
JOHN ASHBERY
interview, The Paris Review, winter 1983
Writers aren't people exactly. Or, if they're any good, they're a whole lot of people trying so hard to be one person. It's like actors, who try so pathetically not to look in mirrors. Who lean backward trying--only to see their faces in the reflecting chandeliers.
F. SCOTT FITZGERALD
The Last Tycoon
How one writes is a bit of a mystery to oneself. You just do it. My experience is that I sit down and write and I make it sound right to me, or sound good or interesting. And that's it.
ADAM PHILLIPS
"Poetry as Therapy", The Guardian, March 29, 2012
If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on.
CRAIG JOHNSON
"A Conversation with Craig Johnson", The Cold Dish
I met a young woman the other day, and she said, what advice would you have for a writer, and I said it would be to work every day. But then she said, and how do you get to know someone like Ira Glass? And I said, that's not the point. You don't befriend people for that reason. I was just lucky and Ira happened to be in a place where I was reading one night and heard me read. I didn't invite him to come there. If I had gone out of my way to invite him, he probably wouldn't have come. Your job is to write. The rest of it will take care of itself. But, generally, it seems ... you know how that is, you meet people and they have a talent for self-promotion. Those are the pushy people. And you know their writing's not going to be any good, because that's not their talent.
DAVID SEDARIS
Oasis Magazine, June 2008
Someone watches over us when we write. Mother. Teacher. Shakespeare. God.
MARTIN AMIS
London Fields