quotations about poetry
Poetry (by extension, any art) is a response, it is part of a conversation between the writer and the larger world--and just writing that I realize how much our writing is a form of listening. And we have a response-ability that can grow, shift, change as we do over the years.
SARAH SADIE
"On Poetry: A Conversation", Patheos, April 30, 2016
There has never been a great poet who wasn't also a great reader of poetry.
EDWARD HIRSCH
interview, 2007
No verse which is unmusical or obscure can be regarded as poetry whatever other qualities it may possess.
ALFRED AUSTIN
The Bridling of Pegasus: Prose Papers on Poetry
Only poetry can measure the distance between ourselves and the Other.
CHARLES SIMIC
The Unemployed Fortune-Teller
Poetry is the record of the best and happiest moments of the happiest and best minds.
PERCY BYSSHE SHELLEY
A Defence of Poetry
The permanent passions of mankind--love, religion, patriotism, humanitarianism, hate, revenge, ambition; the conflict between free will and fate; the rise and fall of empires--these are all great themes, and, if greatly treated, and in accordance with the essentials applicable to all poetry, may produce poetry of the loftiest kind.
ALFRED AUSTIN
The Bridling of Pegasus
There is no true poet in whom fancy is not close akin to faith.
JOHN C. BAILEY
The Claims of French Poetry
We feel poetry as we feel the closeness of a woman, or as we feel a mountain or a bay. If we feel it immediately, why dilute it with other words, which no doubt will be weaker than our feelings?
JORGE LUIS BORGES
"Poetry"
Babies are not brought by storks, and poets are not produced by workshops.
JAMES FENTON
Ronald Duncan Lecture, 1992
Here! is this you on the top of Fan-ko Mountain,
Wearing a huge hat in the noon-day sun?
How thin, how wretchedly thin, you have grown!
You must have been suffering from poetry again.
LI BAI
"Addressed Humorously to Tu Fu"
I don't think good poetry can be produced in a kind of political attempt to overthrow some existing form. I think it just supersedes. People find a way in which they can say something. "I can't say it that way, what way can I find that will do?"
T. S. ELIOT
The Paris Review, spring-summer 1959
Joyous or bereaved, poetry is the ink and paper realm of emotion.
MAGGIE GRIMASON
"The Province of the Heart", Alibi, April 28, 2016
The more serious poetry of the race has a philosophical structure of thought. It contains beliefs and conceptions in regard to the nature of man and the universe, God and the soul, fate and providence, suffering, evil and destiny. Great poetry always has, like the higher religion, a metaphysical content. It deals with the same august issues, experiences and conceptions as metaphysics or first philosophy.
JOSEPH ALEXANDER LEIGHTON
The Field of Philosophy
When you work in form, be it a sonnet or villanelle or whatever, the form is there and you have to fill it. And you have to find how to make that form say what you want to say. But what you find, always--I think any poet who's worked in form will agree with me--is that the form leads you to what you want to say.
URSULA K. LE GUIN
interview, The Paris Review, fall 2013
Because it thinks by music and image, by story and passion and voice, poetry can do what other forms of thinking cannot: approximate the actual flavor of life, in which subjective and objective become one, in which conceptual mind and the inexpressible presence of things become one.
JANE HIRSHFIELD
Nine Gates: Entering the Mind of Poetry
But poets, or those who imagine and express this indestructible order, are not only the authors of language and of music, of the dance, and architecture, and statuary, and painting; they are the institutors of laws, and the founders of civil society, and the inventors of the arts of life, and the teachers, who draw into a certain propinquity with the beautiful and the true, that partial apprehension of the agencies of the invisible world which is called religion. Hence all original religions are allegorical, or susceptible of allegory, and, like Janus, have a double face of false and true. Poets, according to the circumstances of the age and nation in which they appeared, were called, in the earlier epochs of the world, legislators, or prophets: a poet essentially comprises and unites both these characters. For he not only beholds intensely the present as it is, and discovers those laws according to which present things ought to be ordered, but he beholds the future in the present, and his thoughts are the germs of the flower and the fruit of latest time. Not that I assert poets to be prophets in the gross sense of the word, or that they can foretell the form as surely as they foreknow the spirit of events: such is the pretence of superstition, which would make poetry an attribute of prophecy, rather than prophecy an attribute of poetry. A poet participates in the eternal, the infinite, and the one; as far as relates to his conceptions, time and place and number are not. The grammatical forms which express the moods of time, and the difference of persons, and the distinction of place, are convertible with respect to the highest poetry without injuring it as poetry; and the choruses of Aeschylus, and the book of Job, and Dante's Paradise, would afford, more than any other writings, examples of this fact, if the limits of this essay did not forbid citation. The creations of sculpture, painting, and music, are illustrations still more decisive.
PERCY BYSSHE SHELLEY
A Defence of Poetry
I see poetry as a path toward new understanding and transformation.
JANE HIRSHFIELD
The Atlantic Online, September 18, 1997
The poem that says "I love you" is the little black cocktail dress, the classic thing that everyone would like to have written one of.
JAMES FENTON
BBC Radio, October 4, 1994
I think that believing in language -- in the ability of words to bring even an imagined reality into being -- is a big part of what it means to write poetry. If something like an idea or a belief is capable of being imagined or even described, then the possibility that it will be acted upon becomes much more likely. I think that many of my poems are attempts to take myself up on that premise, to step into conversation with voices and events that require me to decide something: what do I believe is right? What is the more subtle or subjective view of this situation? What must I challenge myself to understand?
TRACY K. SMITH
interview, Ploughshares Literary Magazine, May 30, 2012
If you can't be a bad poet at seventeen, with your brother dying just down the corridor, what hope is there for poetry?
BERNARD BECKETT
Lullaby