American comic book writer & creator (1922- )
DC, of course, is trying to catch up to Marvel. More power to them. It's good if everybody does well, but they're certainly starting from a ways back. They have a lot of catching up to do ... Marvel has so many heroes. DC just has Superman, Batman and maybe Wonder Woman. Perhaps they'll use The Flash. Green Lantern wasn't very successful, but we'll see.
STAN LEE
Toronto Sun, April 17, 2015
I think the most important thing is to be busy, because if you have work occupying you, you don't have time to worry about the other serious problems in life.
STAN LEE
Toronto Sun, April 17, 2015
It never occurred to us to save any of those things. We never thought they'd have any value later on. We worked in a very small office, and the printer would send back all the original pages of artwork, but we had no place to put them. So when we ordered food, we told the delivery guy, "Hey, would you mind taking these pages and dropping them in the trash on the way out?"
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
I just figured that Bruce Banner had probably been a friend of Reed Richards, and Reed had given him some elastic trousers. There's an explanation for everything, but you may not be technically advanced enough to follow me on all of this.
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
A superhero's catchphrase should be like a really memorable advertising slogan. It sticks in your head and you can't stop humming it. And let's face it, superheroes are just really selling themselves as products.
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
I'm very proud of being a hack. It's why I've lived as long as I have, I think.
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
I'm a frustrated actor. My ... goal is to beat Alfred Hitchcock in the number of cameos. I'm going to try to break his record.
STAN LEE
interview, February 6, 2006
Someone wants to do a movie of my life now and he's writing a script, and I said to him, "What the hell could you do? I've never been arrested, I haven't taken drugs, I've had the same wife for 54 years -- where's anything of interest to people?"
STAN LEE
interview, April 30, 2002
Face front, true believers!
STAN LEE
often-used line on "Stan Lee's Soapbox" editorial pages
Some artists, such as Jack Kirby, need no plot at all. I mean I'll just say to Jack, "Let's let the next villain be Dr. Doom" ... or I may not even say that. He may tell me. And then he goes home and does it. He's so good at plots, I'm sure he's a thousand times better than I. He just makes up the plots for these stories. All I do is a little editing ... I may tell him that he's gone too far in one direction or another. Of course, occasionally I'll give him a plot, but we're practically both the writers on the things.
STAN LEE
Castle of Frankenstein, no. 12, 1968
We're lucky. Most of our men are good story men. In fact, they have to be. A fellow who's a good artist, but isn't good at telling a story in this form ... in continuity form ... can't really work for us.
STAN LEE
Castle of Frankenstein, no. 12, 1968
The publisher had me doing western magazines, crime magazines, men's adventure magazines, even romance and teenage magazines and one day he came to me and he said you know one of our competitors has a book called The Justice League and it's selling well and it's a bunch of superheroes, why don't we do some superhero magazines? I said OK, I wanted to keep my job so I came up with The Fantastic Four and the others and that was the only reason. If my publisher hadn't said 'let's do superhero stories' I'd probably still be doing A Kid Called Outlaw, The Two Gun Kid or Millie the Model or whatever I was doing at the time.
STAN LEE
interview, CNN, June 12, 2013
Jack [Kirby] and Joe [Simon] wrote and drew the stories themselves in the beginning and I was just, like, the office boy. But after a while they had more writing than they could handle and I was the only guy around, so they said, "Hey Stan, you think you can write this?" When you're seventeen years old, what do you know? I said, "Sure, I can do it!" And that was it.
STAN LEE
"Stan Lee: From Marvel Comics Genius to Purveyor of Wonder with POW!", PR, March 13, 2006
Kids like comics as much as ever, but a very unusual thing happened. There used to be a very big collectors' market; all of a sudden people were paying high prices for back issues of comics. Houses like Sotheby's would have big auctions, and kids would read that a comic book, which originally cost a dime, was sold for $20,000. There were newspaper articles: "Comic books are a better investment than stocks." So, instead of buying one issue of a magazine, they'd buy twenty. They wouldn't even read them, never took them out of the cellophane. Suddenly a book that sold 200,000 was selling a million or half a million. It was the greatest thing. Then the market crashed.
STAN LEE
Stan Lee: Conversations
Once, I'd written a Western story, and one of the panels was just a hand holding a six-shooter, and there was a puff of smoke coming out of the barrel, and a straight horizontal line, indicating the trajectory of the bullet. So that page was sent back to me from the Code office, saying that the particular panel was too violent. I asked them what they meant, and they told me--I swear--"The puff of smoke is too big." Well, of course. So I had the artist make the smoke a little smaller, and the youth of America was saved.
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
That's what everybody tells me. "I would've had a great comic-book collection, but my mother made me throw them away." But when I was growing up, my mother didn't care. As long as I was reading, she didn't care if my room was filled with comics. I could have saved everything. I was just too stupid to do it.
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011