American comic book writer & creator (1922- )
Achilles, without his heel, you wouldn't even know his name today.
STAN LEE
"Stan Lee: From Marvel Comics Genius to Purveyor of Wonder with POW!", PR, March 13, 2006
The "problem" is that Comic-Con is so damned successful. People who are there seem to have a wonderful time. The very size of it makes it exciting. Wherever you look, there's something exciting. The attendees are always looking around for a familiar face. It's either 'There's a movie star!' Or, 'There's a TV star!' Or, 'There's the guy who drew the Green Lantern!' It means so much to the fans. It makes them feel like they're where it's happening. It's like Woodstock.
STAN LEE
The Washington Post, July 23, 2010
I just figured that Bruce Banner had probably been a friend of Reed Richards, and Reed had given him some elastic trousers. There's an explanation for everything, but you may not be technically advanced enough to follow me on all of this.
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
My favorite movie star, far and away, was Errol Flynn. I thought that this guy was the greatest because he always played such heroic roles. He was either the sheriff of Dodge City, or he was Robin Hood, or he was Captain Blood. When I would leave the theater, I'd be about 10 years old I guess ... I would imagine I had a little crooked smile on my face the way Errol Flynn did, and an imaginary sword at my side. I'd be looking around for little girls that might be [attacked] by some bullies.
STAN LEE
"Stan Lee: From Marvel Comics Genius to Purveyor of Wonder with POW!", PR, March 13, 2006
We had bought a lot of strips that I didn't think were really all that good, but I paid the artists and writers for them anyway, and I kinda hid them in the closet! And Martin found them and I think he wasn't too happy. If I wasn't satisfied with the work, I wasn't supposed to have paid, but I was never sure it was really the artist's or the writer's fault. But when the job was finished I didn't think that it was anything that I wanted to use. I felt that we could use it in inventory--put it out in other books. Martin, probably rightly so, was a little annoyed because it was his money I was spending.
STAN LEE
"Stan the Man and Roy the Boy: A Conversation between Stan Lee and Roy Thomas", Comic Book Artist, summer 1998
It's geeks who really make or break a TV show or movie or videogame.
STAN LEE
The Washington Post, July 23, 2010
The only time I go on the set is when I have a cameo to do in the picture. I go to the set and I do my little cameo and I meet all the people. It's a great way to spend the day. And then I go back to my own world.
STAN LEE
"Stan Lee: From Marvel Comics Genius to Purveyor of Wonder with POW!", PR, March 13, 2006
It never occurred to us to save any of those things. We never thought they'd have any value later on. We worked in a very small office, and the printer would send back all the original pages of artwork, but we had no place to put them. So when we ordered food, we told the delivery guy, "Hey, would you mind taking these pages and dropping them in the trash on the way out?"
STAN LEE
"Spidey Bites: Stan Lee's Secret for Saving Spider-Man the Musical?", Vanity Fair, March 10, 2011
Well, I guess we were looking for something to hook some new readers. Also, I think boredom had a little to do with it. We had been turning out books for about twenty years. Same old type all the time ... so I figured, let's try something a little more offbeat. Let's try to ... I think the big policy was to avoid the clichés. For example in the Fantastic Four, the first cliché was: all superheroes wore costumes. We soon learned that was a mistake because, much as the readers like offbeat things, there are certain basics that we must have, and apparently superhero fans do demand costumes as we learned in the subsequent mail.
STAN LEE
Castle of Frankenstein, no. 12, 1968
I used to be embarrassed because I was just a comic-book writer while other people were building bridges or going on to medical careers. And then I began to realize: entertainment is one of the most important things in people's lives. Without it they might go off the deep end. I feel that if you're able to entertain people, you're doing a good thing.
STAN LEE
The Washington Post, July 23, 2010
If Shakespeare and Michelangelo were alive today, and if they decided to collaborate on a comic, Shakespeare would write the script and Michelangelo would draw it. How could anybody say that this wouldn't be as worthwhile an artform as anything on earth?
STAN LEE
Stan Lee: Conversations
Excelsior!
STAN LEE
closing signature line on "Stan Lee's Soapbox" editorial pages
When you can sit down with a plain sheet of paper in front of you and make some notes, and, little by little, you see it take shape and become a concept for a movie or a TV show. That's a real thrill. You watch it go from notes on a paper to a meeting with writers and directors and actors. I can't think of anything that's more exciting.
STAN LEE
online interview, Esquire, July 3, 2012
I'm proud of everything that was done that was successful. I did the hiring and the firing and I'm proud of the fact that we were able to hire people as talented as the artists that we had, like Jack Kirby and Steve Ditko and Gene Colan and John Romita and Gil Kane. I'm proud of the fact that I worked with them and I like to think that we brought out the best of these artists and writers. It was a great time. I look back at that time when Marvel was starting I think I couldn't have been with a better group of people.
STAN LEE
Denver Post Online, May 23, 2013
In the early days, I was writing scripts for virtually all the books, and it was very hard to keep all the artists busy; poor little frail me, doing story after story. So I'd be writing a story for Kirby, and Steve Ditko would walk in and say, 'Hey, I need some work now.' And I'd say, 'I can't give it to you now, Steve, I'm finishing Kirby's.' But we couldn't afford to keep Steve waiting, because time is money, so I'd have to say, 'Look Steve, I can't write a script for you now, but here's the plot for the next Spider-Man. Go home and draw anything you want, as long as it's something like this, and I'll put the copy in later.' So I was able to finish Jack's story. Steve in the meantime was drawing another story. Then Don Heck would come over and say, "Hey Stan, I need something to do." I'd say, "Well, I can't write it for you Don, but here's the plot for Iron Man, you go and draw it, and I'll put in the copy later." That way I could keep five, six, ten artists busy; they were drawing, and as they'd bring in the strip, I'd put in the copy. Okay, it started out as a lazy's man's device--or maybe a guy who just didn't have enough time--but we realized this was absolutely the best way to do a comic. Because any artist who really belongs in this field--and of course our artists do--is a storyteller himself. He tells stories with pictures; he has imagination, he knows continuity, he knows how a story should be told.... Don't have the writer say, 'Panel one will be a long shot of Spider-Man walking down the street.' The artist may see it differently; maybe he feels it should be a shot of Spider-Man swinging on his web, or climbing upside-down on the ceiling or something.
STAN LEE
1975 San Diego Comic Con Panel, The Collected Jack Kirby Collector, vol. 4
Some people will say, "Why read a comic book? It stifles the imagination. If you read a novel you imagine what people are like. If you read a comic, it's showing you." The only answer I can give is, "You can read a Shakespeare play, but does that mean you wouldn't want to see it on the stage?"
STAN LEE
Denver Post Online, May 23, 2013
What did Doctor Doom really want? He wanted to rule the world. Now, think about this. You could walk across the street against a traffic light and get a summons for jaywalking, but you could walk up to a police officer and say "I want to rule the world," and there's nothing he can do about it, that is not a crime. Anybody can want to rule the world. So, even though he was the Fantastic Four's greatest menace, in my mind, he was never a criminal!
STAN LEE
Stan Lee's Amazing Marvel Universe
It's a tremendous challenge, because there have been so many characters created over the years. Every time you think you come up with a great name, you find out somebody has already done it. Dreaming up the stories isn't that hard, but coming up with a good title is the toughest part.
STAN LEE
online interview, Esquire, July 3, 2012
I don't really see a need to retire as long as I am having fun.
STAN LEE
interview, Feb. 6, 2006
I'm no prophet, but I'm guessing that comic books will always be strong. I don't think anything can really beat the pure fun and pleasure of holding a magazine in your hand, reading the story on paper, being able to roll it up and put it in your pocket, reread again later, show it to a friend, carry it with you, toss it on a shelf, collect them, have a lot of magazines lined up and read them again as a series. I think young people have always loved that. I think they always will.
STAN LEE
Brandweek, May 2000