MUSIC QUOTES III

quotations about music

• «
• 1
• 2
• 3
• 4
• 5
• »

Words must ever sound so feeble in attempting to express the magic power of melody.

ARTHUR HELPS

---

Whenever humans come together for any reason, music is there: weddings, funerals, graduation from college, men marching off to war, stadium sporting events, a night on the town, prayer, a romantic dinner, mothers rocking their infants to sleep ... music is a part of the fabric of everyday life.

DANIEL J. LEVITIN

---

Musical training is a more potent instrument than any other, because rhythm and harmony find their way into the inward places of the soul.

PLATO

---

Every man is full of music; but it is not every man that knows how to bring it out.

HENRY WARD BEECHER

---

Everything is music for the born musician.

ROMAIN ROLLAND

---

Music may appeal to crude and coarse feelings or to refined and noble ones; and in so far as it does the latter it awakens the higher nature and works an effect, though but a transitory effect, of a beneficial kind. But the primary purpose of music is neither instruction nor culture but pleasure; and this is an all-sufficient purpose.

HERBERT SPENCER

---

Music, the greatest good that mortals know,
And all of heaven we have here below.

JOSEPH ADDISON

---

The emotional impact of music is so incommensurate with what people can say about it, and that seems to be very illustrative of something fundamental--that very powerful emotional effects often can’t be articulated. You know something’s happened to you but you don’t know what it is.

ADAM PHILLIPS

---

The field open to the musician is not a miserable stave of seven notes, but an immeasurable keyboard (still almost entirely unknown) on which, here and there only, separated by the thick darkness of its unexplored tracts, some few among the millions of keys of tenderness, of passion, of courage, of serenity, which compose it, each one differing from all the rest as one universe differs from another, have been discovered by a few great artists who do us the service, when they awaken in us the emotion corresponding to the theme they have discovered, of showing us what richness, what variety lies hidden, unknown to us, in that vast, unfathomed and forbidding night of our soul which we take to be an impenetrable void.

MARCEL PROUST

---

Music is another lady that talks charmingly and says nothing.

AUSTIN O'MALLEY

---

I am in need of music that would flow
Over my fretful, feeling finger-tips,
Over my bitter-tainted, trembling lips,
With melody, deep, clear, and liquid-slow.
Oh, for the healing swaying, old and low,
Of some song sung to rest the tired dead,
A song to fall like water on my head,
And over quivering limbs, dream flushed to glow!

ELIZABETH BISHOP

---

The passions, whether violent or not, should never be so expressed as to reach the point of causing disgust; and music, even in situations of the greatest horror, should never be painful to the ear but should flatter and charm it, and thereby always remain music.

WOLFGANG AMADEUS MOZART

---

For me, my voice and music was always an outlet. Growing up in an unstable environment and whatnot, music was my only real escape.

CHRISTINA AGUILERA

---

Not only is music a beautiful and sublime science, the study of which ennobles and purifies the mind of its votary, but how many and excellent are its ministries to others!

E. H. CHAPIN

---

The music, yearning like a God in pain.

JOHN KEATS

---

True life, was something that was stored in music. True life was kept safe in the lines of Tchaikovsky's Eugene Onegin while you went out in the world and met the obligations required of you.

ANN PATCHETT

---

Hark to the music! How beneath the strain
Of reckless revelry, vibrates and sobs
One fundamental chord of constant pain,
The pulse-beat of the poet's heart that throbs.

EMMA LAZARUS

---

Music is organized sound, but the organization has to involve some element of the unexpected or it is emotionally flat and robotic. The appreciation we have for music is intimately related to our ability to learn the underlying structure of music we like--the equivalent to grammar in spoken or signed languages--and to be able to make predictions about what will come next. Composers imbue music with emotion by knowing what our expectations are and then very deliberately controlling when those expectations will be met, and when they won't. The thrills, chills, and tears we experience from music are the result of having our expectations artfully manipulated by a skilled composer and the musicians who interpret that music.

DANIEL J. LEVITIN

---

Who first said that music hath charms to soothe the savage breast, I know not; but that it is true, I am sure. Who has not felt the melting power of music, and stopped to listen to the sweet strains of some simple melody which has brought, or nearly brought, tears to his eyes? Where is the breat that has not been stirred by the cathedral organ, and choristers echoing their sacred strains through the aisles and corridors, and dying away, as it were, in heaven above? Will not the sweet but simple ballad of "Home, Sweet Home," when sung in a foreign land, wake memories from the dead, and melt the hardest heart; rouse every grand, noble, unselfish, and patriotic feeling in the breast, and carry the hearer thousands of miles across the storm-tossed oceans and seas that separate him from his own beloved country, the dwelling place of those near and dear to him, the model land of his heart, the resting place of his sires, his adored and honored fatherland.

T. AUGUSTUS FORBES LEITH

---

I don't read music. And my mom is this classically trained person, and I went the other way. And I think it's helped me write songs that I wouldn't have written if I were going at the technical way. Because they go, "Oh, you can't go from this chord to that chord. It's not the way you're supposed to do it."

MARIAH CAREY

---

• «
• 1
• 2
• 3
• 4
• 5
• »