French novelist and playwright (1799-1850)
Perhaps it is only human nature to inflict suffering on anything that will endure suffering, whether by reason of its genuine humility, or indifference, or sheer helplessness.
HONORE DE BALZAC
Père Goriot
People exaggerate both happiness and unhappiness; we are never so fortunate nor so unfortunate as people say we are.
HONORE DE BALZAC
Modeste Mignon
Yesterday, at the Italian Opera, I could feel some one was looking at me; my eyes were drawn, as by a magnet, to two wells of fire, gleaming like carbuncles in a dim corner of the orchestra. Henarez never moved his eyes from me. The wretch had discovered the one spot from which he could see me—and there he was. I don't know what he may be as a politician, but for love he has a genius.
HONORÉ DE BALZAC
Letters of Two Brides
A society of atheists would immediately invent a religion.
HONORE DE BALZAC
Le catechisme social
Know this for certain—methods are always confounded with results; you will never succeed in separating the soul from the senses, spirit from matter.
HONORÉ DE BALZAC
Gobseck
The dark glee, the savage ferocity aroused by the possession of a few water-white pebbles, set me shuddering. I was dumb with amazement.
HONORÉ DE BALZAC
Gobseck
There are no principles, only events; there are no laws, only circumstances: a superior man espouses events and circumstances the better to influence them. If fixed principles and laws really existed, countries wouldn't change them as often as we change shirts. One man can't be expected to show more sense than an entire nation.
HONORE DE BALZAC
Father Goriot
In one of the finest houses of the rue Neuve-des-Mathurins, at half-past eleven at night, two young women were sitting before the fireplace of a boudoir hung with blue velvet of that tender shade, with shimmering reflections, which French industry has lately learned to fabricate. Over the doors and windows were draped soft folds of blue cashmere, the tint of the hangings, the work of one of those upholsterers who have just missed being artists. A silver lamp studded with turquoise, and suspended by chains of beautiful workmanship, hung from the centre of the ceiling. The same system of decoration was followed in the smallest details, and even to the ceiling of fluted blue silk, with long bands of white cashmere falling at equal distances on the hangings, where they were caught back by ropes of pearl. A warm Belgian carpet, thick as turf, of a gray ground with blue posies, covered the floor. The furniture, of carved ebony, after a fine model of the old school, gave substance and richness to the rather too decorative quality, as a painter might call it, of the rest of the room. On either side of a large window, two etageres displayed a hundred precious trifles, flowers of mechanical art brought into bloom by the fire of thought. On a chimney-piece of slate-blue marble were figures in old Dresden, shepherds in bridal garb, with delicate bouquets in their hands, German fantasticalities surrounding a platinum clock, inlaid with arabesques. Above it sparkled the brilliant facets of a Venice mirror framed in ebony, with figures carved in relief, evidently obtained from some former royal residence. Two jardinieres were filled with the exotic product of a hot-house, pale, but divine flowers, the treasures of botany.
HONORÉ DE BALZAC
A Daughter of Eve
Feeble folk are as easily reassured as they are frightened.
HONORÉ DE BALZAC
The Vicar of Tours
The artisan, the man of the proletariat, who uses his hands, his tongue, his back, his right arm, his five fingers, to live—well, this very man, who should be the first to economize his vital principle, outruns his strength, yokes his wife to some machine, wears out his child, and ties him to the wheel.
HONORÉ DE BALZAC
The Girl with the Golden Eyes
Paris is the crown of the world, a brain which perishes of genius and leads human civilization; it is a great man, a perpetually creative artist, a politician with second-sight who must of necessity have wrinkles on his forehead, the vices of a great man, the fantasies of the artist, and the politician’s disillusions. Its physiognomy suggests the evolution of good and evil, battle and victory; the moral combat of ‘89, the clarion calls of which still re-echo in every corner of the world; and also the downfall of 1814. Thus this city can no more be moral, or cordial, or clean, than the engines which impel those proud leviathans which you admire when they cleave the waves! Is not Paris a sublime vessel laden with intelligence? Yes, her arms are one of those oracles which fatality sometimes allows. The City of Paris has her great mast, all of bronze, carved with victories, and for watchman—Napoleon. The barque may roll and pitch, but she cleaves the world, illuminates it through the hundred mouths of her tribunes, ploughs the seas of science, rides with full sail, cries from the height of her tops, with the voice of her scientists and artists: "Onward, advance! Follow me!" She carries a huge crew, which delights in adorning her with fresh streamers. Boys and urchins laughing in the rigging; ballast of heavy bourgeoisie; working-men and sailor-men touched with tar; in her cabins the lucky passengers; elegant midshipmen smoke their cigars leaning over the bulwarks; then, on the deck, her soldiers, innovators or ambitious, would accost every fresh shore, and shooting out their bright lights upon it, ask for glory which is pleasure, or for love which needs gold.
HONORÉ DE BALZAC
The Girl with the Golden Eyes
The girl of the golden eyes might be virgin, but innocent she was certainly not. The fantastic union of the mysterious and the real, of darkness and light, horror and beauty, pleasure and danger, paradise and hell, which had already been met with in this adventure, was resumed in the capricious and sublime being with which De Marsay dallied. All the utmost science or the most refined pleasure, all that Henri could know of that poetry of the senses which is called love, was excelled by the treasures poured forth by this girl, whose radiant eyes gave the lie to none of the promises which they made.
HONORÉ DE BALZAC
The Girl with the Golden Eyes
Clouds signify the veil of the Most High.
HONORÉ DE BALZAC
Seraphita
Science is the language of the Temporal world, Love is that of the Spiritual world.
HONORÉ DE BALZAC
Seraphita
When a human soul draws its first furrow straight, the rest will follow surely.
HONORÉ DE BALZAC
Seraphita
If many man fail to be masters in their own house this is not from lack of willingness, but of talent. As for those who are ready to undergo the toils of this terrible duel, it is quite true that they must needs possess great moral force.
HONORÉ DE BALZAC
Physiology of Marriage
An honest woman is necessarily a married woman.
HONORÉ DE BALZAC
Physiology of Marriage
If a man would have the right to make stepping-stones of all the heads which crowd a drawing-room, he must be the lover of some artistic woman of fashion.
HONORÉ DE BALZAC
Physiology of Marriage
There are those whose character is like a chestnut without a kernel.
HONORÉ DE BALZAC
Physiology of Marriage
If the God of goodness and indulgence who hovers over the worlds does not make a second washing of the human race, it is doubtless because so little success attended the first.
HONORÉ DE BALZAC
Physiology of Marriage